During the Roosevelt administration’s efforts to combat the Great Depression, the quilt became an emblem for how to lift one’s family out of poverty, piece by piece. A New Deal for Quilts explores how the U.S. government drew on quilts and quilt-making, encouraging Americans to create quilts individually and collectively in response to unemployment, displacement, and recovery efforts. Quilters shared their perspectives on New Deal programs such as the Tennessee Valley Authority and the National Recovery Administration, and sent quilts as gifts to the Roosevelts and other officials. Federal programs used quilts’ symbolic heft to communicate the values and behaviors individuals should embrace amid the Depression, perceiving the practical potential of crafts to lift morale and impart new skills. The government embraced quilts to demonstrate the efficacy of its programs, show women how they could contribute to their families’ betterment, and generate empathy for impoverished Americans.

 

“In this sense, it was not a new deal for quilts at all, as quilts—much more than mere bedcovers—have long empowered their makers and recipients in the face of adversity, in both myth and reality. Whether in our collective romanticized memory, covering our bodies as we sleep, or hanging on museum gallery walls, quilts are potent objects, and the U.S. government harnessed that power to relieve the impact of the Great Depression.” 

A New Deal for Quilts is a forthcoming book by Janneken Smucker and exhibition at the International Quilt Museum.